What does the small, but gaining trend of de-colorizing new films say about the way the public watches them? And what does it bode for artistic intent down the line? http://crookedscoreboard.com/logan-noir-and-watching-movies-in-the-age-of-instagram/
On the 'blue collar surrealism' of the filmmaker's aesthetic, and how the term 'Lynchian' doesn't do his singular vision justice. http://crookedscoreboard.com/what-is-it-that-makes-david-lynch-movies-lynchian/
The under-seen noe-noir-cum-Western action classic boasts an amazing cast and some of Hill's best work, and it deserves its proper due. http://crookedscoreboard.com/walter-hills-extreme-prejudice-turns-30-going-on-60/
What two recent horror films from debut directors tell us about the primal fears that lie at the heart of modern society. http://crookedscoreboard.com/raw-get-out-and-the-state-of-the-modern-body-horror-film/
A look at one of the most brilliant, bat-shit crazy films ever made, newly available for the first time in decades (and not a moment too soon). http://crookedscoreboard.com/hell-will-hold-no-surprises-ken-russells-the-devils/#sthash.CtZewF1z.dpuf
A look at what critics of Tarantino - including the late, great David Foster Wallace - get wrong when looking at (or away from) his use of violence. http://www.full-stop.net/2013/01/16/blog/zach-vasquez/quentin-tarantino-keeps-his-head/#_ftn4
